I’ve been moved by the performances of Richard Jenkins. There’s something so honest and real about
the man. His acting is so natural and
effortless that you don’t see the acting.
He’s the Everyman able to portray any character with complete
believability. With over 70 films to his
credit, Jenkins has portrayed everything from a gay FBI agent, to a dead
mortician to a sexist father to a judge.
I think about his recurring character on the HBO hit Six Feet Under and how he’d appear
unpredictably at different intervals of the other characters’ lives. Likewise, his appearance in certain films has
been unpredictable to me either because I didn’t know that Jenkins was in the
movie or because his performance was so impressive that it actually elevated an
otherwise mediocre film. It would be easy to write about the great films that
Jenkins has starred in – Flirting with
Disaster and The Visitor – but
I’m going to focus instead on the performances Jenkins has delivered that have
elevated otherwise mediocre or underrated films.
The first that comes to mind (probably because I watched it
most recently) is Eat, Pray, Love,
the Julia Roberts-led vehicle based on the 2006 memoir by American author
Elizabeth Gilbert. Jenkins stole all of
the praise from co-star Julia Roberts who divided critics who were either
underwhelmed or unimpressed with her performance. Instead, Jenkins was lauded across the board
as representing the best moments in the movie.
The scene in which Jenkins shares the grim story of what brought him to
India in search of enlightenment are the best five minutes in the film. Director Ryan Murphy fixes the camera on
Jenkins through his entire monologue and it’s a very wise and effective move as
it allows the scene to play out with Jenkins in full focus.
In Dear John,
Jenkins plays father to John (Channing Tatum), a member of the Army Special
Forces who returns to the Carolina coast in the spring of 2001 and falls in
love with a college student named Savannah (Amanda Seyfried). Dear John is predictably sweet,
sentimental and sad, but not particularly memorable or special apart from a
scene-stealing turn by Richard Jenkins as an obsessive coin collector who
Savannah believes suffers from a mild form of autism. Jenkins, as John’s quiet, taciturn,
strangely-mannered father is the film’s lone redeeming feature.
In Friends with
Benefits, Richard Jenkins is just one member of a surprisingly charming
cast that does well with the thin material they’re given. Mila Kunis is vibrant, Justin Timberland is
charismatic, Woody Harrelson is wildly energetic, the too-rarely seen Jenna
Elfman is a treat to watch, Patricia Clarkson shines and Richard Jenkins moves
me once again. Like in Dear John, Jenkins portrays a father
with a mental affliction. He has Alzheimer's. Jenkins finds the perfect balance in
portraying his character’s moments of clarity and coherence along with the
times he struggles with the effects of his disease. He makes brilliant, insightful observations
about relationships and life and then walks around without his pants on and
frequently forgets that his wife left him a decade ago.
In Shall We Dance, Jenkins
plays a private detective hired by a suspicious wife (Susan Sarandon) to follow
her husband (Richard Gere). This is a
role that didn’t require a great deal of range or even great acting, but
Jenkins still managed to turn in a splendid performance though the role
demanded very little of him. In one
scene where he meets his client and she asks him why he thinks that people
marry, he says that he believes that people marry for passion. His client disagrees and says that she
believes that people marry because we need a witness to our lives. Jenkins’ character sits silently as he
listens to her, his eyes focused on her with attentiveness and compassion and
it’s in this very simple act, sitting silently, where Jenkins displays his gift
for acting; the type of acting that doesn’t look like acting at all.



Oh, excellent post! I absolutely adore Jenkins he is one of those scene or even movie stealers. I saw Shall we Dance? this weekend, it was really charming film but him and Tucci both took it to greater level. I really loved his work in Burn After Reading, Let me in, Eat Pray Love and dozens of other films I can't recall right now but when Jenkins appears on screen he always bring in wonderful acting.
ReplyDeleteThank you! I absolutely adore Jenkins too. He elevates every film he's in. He's likable and believable and he's never once turned in a bad performance. I hope he gets more lead opportunities like he did with "The Visitor" because he deserves it.
ReplyDeleteThe Visitor is my favorite of his films. Other ones that benefited from him being in them include: Let Me In, Friends with Benefits, Rumor Has It, and Hannah and Her Sisters.
ReplyDeleteThe Visitor is my favourite Jenkins film too.
DeleteThose are other great mentions.