Monday, July 09, 2012
The Good, The Bland, and the Ugly: Lars von Trier
Posted by Courtney Small
The premise of this is simple: if someone, who knows little about the director/actor/etc. in question, asked you to select one film for each of the following three categories below, what films would they be?:
1) The Good – A film they should seek out right away
2) The Bland – Not among the best, but still a film they should see.
3) The Ugly – If pressed for time, this is the one film that they should skip in order to squeeze in more hours for the top works.
Keeping this in mind, my three would be as follow :
The Good – Dogville. I know this may not be a popular choice with everyone. This film split the audience at TIFF straight down the middle back in 2003. Heck, even I debated whether or not Breaking the Waves, Dancer in the Dark, or Melancholia deserved to be the selected in this slot. They are all outstanding films in their own right. However, Dogville is the film I can watch repeatedly, regardless of the mood I am in. Shot on a bare sound stage, with the buildings marked by outlines on the floor, the film is a fascinating satire that looks at the hypocrisy of American culture. Considering the minimalist approach that von Trier took, it is amazing that he pulled together such an exceptional cast. While Nicole Kidman gives one of her best performances in the film, it is the supporting cast, featuring Lauren Bacall, Patricia Clarkson, Ben Gazzara, Chloë Sevigny, and Stellan John Skarsgård, who truly makes this film exceptional.
The Bland – While far from bland in the traditional sense I would have to say, under the rules we have established, Antichrist. Lars von Trier’s horror film is the perfect example of a film that works brilliantly in sections, but feels slightly disjointed as a whole. Both beautiful and disturbing at times, Antichrist is a film that is not for the faint of heart. The film focuses on a married couple (Willem Dafoe and Charlotte Gainsbourg) who essentially return to Eden to heal the emotional wounds of the loss of their son. The film features some very poignant commentary on the way women have been unfairly persecuted over the various generations. Unfortunately, the film loses sight of all the points it raises in the latter half when it goes into full on gratuitous horror mode.
The Ugly – It would be easy to go with my head and select The Idiots, but my heart says Manderlay. I will be the first to admit that I originally walked into Manderlay with high expectations. Being a big fan of Dogville, coupled with the idea of von Trier tackling American race relations, I was anticipating another euphoric TIFF experience with Manderlay. The film picks up where Dogville left off with Grace (Bryce Dallas Howard now assuming the Nicole Kidman role) discovering that slavery still exists on a plantation 70 years after the Emancipation Proclamation. Though the film continues the theme of Grace’s idealistic nature backfiring against her, its commentary on the plights of African-Americans offers nothing new to the discussion. The film spends so much time outlining the well worn stereotypes that it feels like it is just going through the motions rather than creating something truly thought provoking.
What films would you select for each category? Provide reasons for your selections in the comments section.